Artist-residency at GMEA, Albi

Starting the year in full swing, I will retreat to the beautiful city of Albi in the south of France to spend a week long residency at the GMEA studio to develop my ongoing research on interpreting the music of Anthony Braxton. For this residency I will focus on solo interpretations of Braxton’s Ghost Trance Music:

Ghost Trance Solo’s explores the full extend of Braxton’s GTM compositions in the context of a solo performance. In order to generate what Braxton refers to as a field of activities in a solo-context, I developed an intuitive set-up using loops and live-electronics to have several layers of musical material develop simultaneously and spontaneously.

During the residency at GMEA I will make recordings of different versions of Braxton’s GTM compositions. More info here.

Here’s a recording of a recent live performance at the Conservatory in Antwerp as part of the Articulate Research days:

Live performance of Anthony Braxton's Ghost Trance Music composition 285 in a version for solo guitar and electronics. Kobe Van Cauwenberghe, guitar and electronics Articulate Research Days, 24/10/2019 Royal Conservatory Antwerp


The New Yorker

On friday 11/10 I will return to Spectrum in New York to play No [more] Pussyfooting once more. This concert is also featured in a “Goings on about town” announcement in The New Yorker, mentioning my set as a highlight. Come by if you’re around!

While in the US I’ll also give a talk at Peabody Institute about my current research project on the music of Anthony Braxton, followed by a solo set of Braxton ‘s music at Red Room in Baltimore on tuesday 08/10.

I’m also meeting with people from the Tricentric foundation and visiting Anthony Braxton’s archive in New Haven as part of this research project.

Festival Musica 2019

This week I’ll be heading to Strasbourg for this years Festival Musica, playing concerts with both Zwerm and Nadar!

Zwerm will play its immersive concert program “Our Ears Felt Like Canyons” with music by Christopher Trapani, Joanna Bailie and Alexander Schubert, in Lucas Van Haesbroeck’s beautiful light scenography. We will play two dates on wednesday 25th and thursday 26th of september. More info here

Then on september 28, Nadar Ensemble will perform its acclaimed “Doppelgänger” program with music by Stefan Prins, Serge Verstockt, Simon Steen-Andersen and Michael Beil. Check here for details!


Ghost Trance Project

In january I started a new 2-year artistic research project focussing on the music of Anthony Braxton, and more specifically his “Ghost Trance Music” compositions, and how they allow for a multi-hierarchic and trans-idiomatic performance practice.

Balancing between notation and improvisation, Anthony Braxton’s “Ghost Trance Music” represent a unique body of “open works” that challenges traditional roles of composer, score and performer. In “Ghost Trance Music” Braxton’s entire fascinating musical universe comes together. You step into a ritual, guided by a melody without beginning or end, a stream of consciousness that serves as the central track leading you into the unknown. Originally inspired by the Native American practice of the Ghost Dance ritual, where surviving members of Native American tribes would attempt to communicate with their ancestors through transcendental ghost dances, the Ghost Trance Music pieces are specifically designed to function as pathways between Braxton’s different musical systems, between notation and improvisation, between past, present and future. It allows for a plurality of musical practices to join forces and creates an arena in which Braxton helps curate intuitive experiences for both performers and listeners.

Through this research project I will explore different interpretational possibilities of Ghost Trance Music, both in the context of a solo performance as in group. On june 25th I have the pleasure to present the first outcome of this research in a solo recital at Unerhörte Musik in Berlin. Also on the program are solo works by David Helbich and Martin Rane Bauck. Hope to see you there!

If you can’t come to the concert here’s a little excerpt of my interpretation of Braxton’s Composition No. 193 (+ 69Q).

This is an excerpt from a solo performance of Anthony Braxton's Composition No. 193 (+ 69Q). It is part of the 'Ghost Trance Project' in which I explore the different interpretational possibilities of Anthony Braxton's "Ghost Trance Music", a unique body of open works he composed between 1995 and 2006. For this solo version I developed an intuitive set-up using loops and live-electronics in order to have different musical material develop simultaneously and generate what Braxton refers to as "a field of activities". For more info on "Ghost Trance Project": http://www.kobevancauwenberghe.com/the-ghost-trance-project or on "Ghost Trance Music": http://soundamerican.org/sa_archive/sa16/sa16-ghost-trance-music.html or on the music of Anthony Braxton in general: https://tricentricfoundation.org

Check here for more info on Ghost Trance Project

If you’re interested in reading more about Anthony Braxton’s Ghost Trance Music, make sure to check out Erica Dicker’s excellent article in SoundAmerican’s Braxton Issue.

For more info on Anthony Braxton in general, check out the Tri-Centric Foundation.